Written by: Jerod Greenisen
Weekend’s sophomore LP is a dream come true. That is to say that one dreams of a well crafted pastiche of the past three decades of rock music. For anyone else, Jinx is a fantastic record that synergizes post-punk harmonies and near classic 90’s noise-rock with contemporary chillwave-esq vocals and shoegaze filters. Although Jinx an atmosphere that is seasonally familiar it still feels rather cold, distant, and submerged.
“It’s Alright” features, to the best that the album can provide, the alleviating airy guitar harmonies that are ever so pleasantly reminiscent of 80’s romantics. While “Mirror” starts the album off by gesturing, very deliberately, at the aura of chillwave. “Mirror” can be very exemplary of the whole record when, after a short while, the rhythms are dialed to industrial clashes and Shaun Durkan’s echo-y strained vocals slink in and balance this cut’s natural seeming static and feedback heavy layers. Most characteristic of the album’s composition would be the heavy drum clashes and expansive vocals on “July” and “Oubliette”.