Dakota Jazz Club
Kaki King: The Neck Is A Bridge To The Body
date:Sunday, Feb 19, 2017
About Kaki King
Hailed by Rolling Stone as “a genre unto herself,” composer and guitarist Kaki King is a true iconoclast. Over the past 10 years the Brooklyn-based artist has released six extraordinarily diverse and distinctive albums (from which B-sides & Rarities has been largely culled), performed with such icons as Foo Fighters, Timbaland, and The Mountain Goats, contributed to a variety of film and TV soundtracks including Golden Globe-nominated work on Sean Penn’s Into The Wild, and played to an increasingly fervent following of music lovers on innumerable world tours.
In addition to her own solo work, Kaki sometimes performs accompanied by NYC-based string quartet ETHEL. She also recently performed a Carnegie Hall premiere of a classical piece commissioned by Pulitzer Prize-winning composer David Lang.
Provocative and moving, surprising and beautiful, “The Neck Is A Bridge To The Body” is Kaki King at her visionary best: deconstructing and redefining the role of solo instrumental artist though virtuoso technique, insatiable imagination, and boundless humanity. This groundbreaking new multi-media performance uses projection mapping to present the guitar as an ontological tabula rasa in a creation myth unlike any other, where luminous visions of genesis and death, textures and skins, are cast onto an Ovation Adamas 1581-KK Kaki King Signature 6-String Acoustic guitar customized specifically for this production.
What Other People Have Been Saying...
“She’s a dynamo guitar player. Scratching, strumming and beating—she lets every inch of the guitar not only tell a story musically, but now you can see the story, too.” –read the entire Guitar World review here
“In her near-13-year career that’s seen six studio albums and a Golden-Globe nomination for best original score, King has earned critical acclaim for the way she combines unusual tunings, complex fingerstyle picking, and slap bass techniques to create soundscapes that range from instrumental acoustic work to high-voltage rock songs. Now, she’s using her guitar in an entirely new way: as a projection screen.” – The Atlantic