Liz Phair is a Grammy-nominated singer songwriter whose debut album, Exile In Guyville, is considered by music critics to be a landmark of indie rock. She has been a recording artist and touring performer for twenty-five years, paving the way for countless music artists, particularly women, who count her among their major influences. Her deeply clever and often brutally candid songs have been garnering critical praise since she began her career in the early 1990s in Chicago by self-releasing audio cassettes under the name Girly-Sound.
“Necessary brattiness” is the motto for Speedy Ortiz’s dauntless new collection of songs, Twerp Verse. The follow-up to 2015’s Foil Deer, the band’s latest indie rock missive is prompted by a tidal wave of voices, no longer silent on the hurt they’ve endured from society’s margins. But like many of these truth-tellers, songwriter, guitarist and singer Sadie Dupuis scales the careful line between what she calls being “outrageous and practical” in order to be heard at all. “You need to employ a self-preservational sense of humor to speak truth in an increasingly baffling world,” says Dupuis.
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