The phantom zone, the parallax, the upside down—there is a rich cultural history of exploring in-between places. Through her latest, Titanic Rising(out April 5, 2019 on Sub Pop Records), Weyes Blood (a.k.a. Natalie Mering) has, too, designed her own universe to soulfully navigate life’s mysteries. Maneuvering through a space-time continuum, she intriguingly plays the role of melodic, sometimes melancholic, anthropologist.
The second head of Jackie Cohen’s two-part Siamese twin Tacoma Night Terror EP set, the gloriously-titled Self-Fulfilling Elegy, at once declares itself the cocky counter-peak to the previous release’s valley of gloomy, anxiety-fueled observations. It opens with the big, Hunky Dory strut of “Make U Sick,” all hutzpah and hot-head swagger and hopped-up disregard for proper spelling. But it’s only the high before the low.
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